|
Eduardo Úrculo (21 September 1938 – 31 March 2003), was a Spanish Basque pop artist who also worked in other art movements, including Expressionism and Neo-Cubism. Both painter and sculptor, he is notable for his portrayals of luggage, the gentleman's hat, and the female bottom. With El Equipo Crónica (“Chronicle Team”), formed by the artists Manolo Valdés and Rafael Solbes, Úrculo is considered one of the drivers of pop art in Spain.〔 ==Early years== Born in Santurtzi, in Spain's Basque Country, Úrculo had at least two siblings, brothers Jose Maria Úrculo and Maria del Mar Úrculo. The family moved to the mining village of Langreo, Asturias in 1941 because of the hardships imposed on them after the Spanish Civil War. With a childhood marked by famine, he joined the Instituto de Enseñanza Media in 1948. His interest in drawing began here after Úrculo discovered the art of Henri de Toulouse-Lautrec, Vincent van Gogh. and Amedeo Modigliani in picture books. At the age of 14, he dropped out of school to convalesce for several months from hepatitis and tuberculosis. During this time, he began to paint. When he was well enough, he started working in the mining company Carbones de La Nueva, where his father worked as a clerk.〔 Úrculo's first solo exhibition occurred in 1957 in La Felguera.〔 In the same year, he became a cartoonist, drawing gangster comics illustrations in Oviedo. The following year, he received a grant from the Langreo City Council to study at Madrid's Círculo de Bellas Artes and at the Escuela Nacional de Artes Gráficas. Here, his spiky socialist realism was characterized by "lots of clenched fists and Guernica-style Picassoism". His drawings of factories have been described as "social painting" or "social expressionism".〔 Úrculo's early black and white drawings were influenced by Francisco Goya.〔 In 1958, he went to Paris and studied at the Académie de la Grande Chaumiere. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Eduardo Úrculo」の詳細全文を読む スポンサード リンク
|